The arts as public infrastructure.
Since 2006, Sing for Hope has built a model for how cultural programs live inside everyday public life — in parks, in schools, in hospitals, and across borders. Five chapters of that model, below.
Pianos
Hand-painted instruments turn parks, plazas, and transit halls into stages anyone can walk up to and play.
Diplomacy
Artists carry cultural exchange into embassies, festivals, and cross-border residencies on behalf of American civic life.
Pianos for Healthcare Workers & Beyond
Live music delivered to hospital floors and first-responder stations through the pandemic and in the years since.
Education
Arts curricula and teaching-artist residencies embedded across under-resourced public schools.
Workforce
A working pipeline of performers, educators, and designers building creative livelihoods alongside the programs they power.
Partner with us.
Five chapters, one model: a proven way to put working artists into public spaces at city scale. Your partnership extends this reach to new cities, new schools, and new publics — and makes the next chapter possible.